小段英译中，谢绝翻译器
Stevie Wonder's influence is especially obvious in the music of 23-year-old Rahsaan Patterson, who not only imitates the syncopated keyboard phrasing of his hero's records but also impersonates Wonder's vocal tone as well.
23岁的Rahsaan Patterson， 其音乐创作深受Stevie Wonder的影响。Rahsaan Patterson 不仅模仿Wonder的音乐切分方式，主打唱片里歌词的措词，甚至模仿他唱歌时的发音风格。
Sometimes the similarities are too close for comfort. Fortunately, Patterson comes up with chorus melodies that sound as catchy as his model's without sounding like any Wonder song in particular.
有时候，你甚至难以区别他俩，因为太相似了。幸运的是，Patterson歌的曲调朗朗上口，听起来完全不像Wonder的歌曲。
"Stop By" uses old-fashioned wah-wah guitar and slap-funk bass to create a compelling push-and- pull rhythm that the singer elaborates into a giddy chorus of infatuation.
《Stop By》 采用复古“wah-wah”音效的吉他以及“slap-funk”音效的贝斯，制造出超级吸引人的“推拉式”节奏，歌者向听众们诠释了一种炫目且狂热地演唱风格。
"Joy," Patterson's a cappella tribute to his New York church roots, finds the young vocalist holding his own with the singers of Take 6. Even the three numbers that Patterson didn't cowrite boast strong, Wonder-ful hooks, but the best are found in the seven songs cowritten by Patterson and his keyboardist Jamey Jaz.
《Joy》 是Patterson以纽约教堂的一首吟唱颂词改编而成。与青年乐团Take 6一同演绎。虽然与乐团中的三人合作的歌曲反响不是很强烈，但是与键盘手 Jamey Jaz合作的七首歌曲却广受欢迎。
Greatly influenced by Stevie Wonder's recordings of the 1970s, young Rahsaan Patterson showed much promise on his self-titled debut album of 1997. While it's impossible to miss Wonder's considerable influence on slow- and medium-tempo offerings like "Tears Ago," "My Sweetheart," and "Spend the Night," the R&B singer/composer never comes across as a clone and sounds like he's intent on being his own man.
受Stevie Wonder 在20世纪70年代发行的专辑巨大影响，年轻的Rahsaan Patterson 在其1997年发行的首张专辑中，在音乐方面表现了其极大的前途。 在那个以Stevie Wonder 的中慢节拍歌曲流行的时代，如《Tears Ago》、《My Sweetheart》、《Spend the Night》。Patterson，这位R&B创作型歌手却并没有受影响成为 Wonder的复制品，而是下决心走出自己的音乐风格之路。
One thing Patterson (who was named after jazz innovator Rahsaan Roland Kirk) won't be accused of is favoring style over substance — when many of his contemporaries in the urban contemporary market were heavily into gimmickry, Patterson kept things honest and straightforward on a disc that isn't breathtaking, but is heartfelt and satisfying.
那时，与Patterson年纪相仿的人还处在充斥着喧哗与世故的城市里，他却把满满的真诚与坦率奉献给了音乐。对于Patterson（以爵士乐创导者Rahsaan Roland Kirk而取的名字）来说，并不会因为他的独立作风而收到大家的抨击。在Patterson的音乐里，有的不是激情与惊险，而是真诚与舒心。
非逐句翻译，便于阅读有加工。
对这材料的背景知识不太了解，肯定有错误的地方。
供参考，谢谢。
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The smooth soul sounds of singer Marc Dorsey have proved popular with R&B fans, and CRAVE is a sublime example of his talents.Marc Dorsey流利的灵魂乐已被证实广受蓝调音乐迷的喜爱，而CRAVE专辑就是展示他才华的崇高范例。
Prior to releasing his debut album, Mark Dorsey sang on the soundtrack for three Spike Lee movies -- Clockers, Crooklyn and Get on the Bus. In each instance, he was required to deliver material with a strong '70s soul vibe, and that feeling runs through on his debut, Crave.
在他的首张专辑发行之前，Mark Dorsey曾在Spike Lee的三部电影，Clockers, Crooklyn 及Get on the Bus 的配乐里大展歌喉。每一次他都被要求呈献带有强烈70年代灵魂乐揉弦效果的作品；而那种感觉贯穿于他的首张专辑CRAVE。
Unlike many urban contemporary releases, Crave doesn't sacrifice soul for slickness, which makes it engaging even when the songwriting isn't always up to par. Dorsey carries the day with his sweet, soulful vocals, which echo past greats yet suggest that he's well on his way to developing his own style. There are moments that don't quite work, but that's largely due to uneven songwriting. Throughout it all, Dorsey shines.
与许多城市现代发行的专辑截然不同，CRAVE没有因要花巧而牺牲灵魂乐的性质，因此其中的创作曲虽不常达高水平也还是引人入胜。Dorsey以他的甜美、深情的歌声取胜，虽在重复过去的伟大艺人，但也启示不用多久他就会另辟风格。虽然也有不理想之处，多数是由于歌曲创作不一致。Dorsey 在整个专辑中表现出类拔萃。
【英语牛人团荣誉会员】
The smooth soul sounds of singer Marc Dorsey have proved popular with R&B fans, and CRAVE is a sublime example of his talents.
歌手Marc Dorsey那流畅的灵魂歌声已确实在R&B粉丝们中流行起来,那首CRAVE就是他天才的最好例子。
Prior to releasing his debut album, Mark Dorsey sang on the soundtrack for three Spike Lee movies -- Clockers, Crooklyn and Get on the Bus.
在他发行首张专辑之前,Marc(Mark?) Dorsey曾在Spike Lee的三部电影配音中演唱——Clockers、Crooklyn和Get on the Bus。
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